Are you a musician, singer, or in a band? Are you anxious to get your music heard, but just don't know where to send music demos?
Thousands of musicians, bands, and singers want to get noticed... but getting noticed in the competitive music industry can be rather frustrating to say the least! Therefore, knowing where to send music demos is an absolute must!
Unfortunately, if you do a quick search online for "Where to send music demos," you'll find a few useless opinions and an endless list of dead ends!
However, the facts remain:
~ Record companies are always looking for talent and will accept your demos!
~ Producers are always looking for new unsigned artists!
~ No need to audition for American Idol to get discovered!
Given the facts, you probably want to know... where to send music demos!
Of course, sending music demos to major record labels would be the smartest choice. Some of the major music labels in the industry include Road Runner Records, Capitol Records, Elektra Records and Sanctuary. Road Runner Records currently has an arsenal of top bands under their management.
One question remains, "How do I go about sending music demos to any of these top record labels?"
Fortunately, I know of some excellent reviews that are available online for information on this very thing! So, if you want to know where to send music demos, listen up...
One resource I can show you teaches you how to submit your band or musician profile to over 300 music related websites, get insider band promotion secrets, tips, and techniques... and information on where to send music demos!
Another resource I can show you teaches you how to save months of valuable time by not having to track down websites on where to send music demos... In fact, this resource will introduce you to brand new websites you may have not even heard about!
And, one more resource worth mentioning is not so much about where to send music demos, but gives you an insight into how you can achieve your dreams of earning a comfortable living as a professional musician!
In this particular resource you can learn about making a promo kit, all about pictures, business cards, videos, stationery, finding work, planning a successful performance, and whole lot more!
If you're a musician, singer, or in a band, you would probably love to earn money for what you do... And, you can! You just need to know where to send music demos!
Regardless of whether the recording studio--in Toronto or in any other city in the world--you are using has a sound recording room with non-parallel walls or not, there are certain things that musicians have to know before recording in the studio. If musicians are not fully familiar with what to expect before stepping into the recording studio, then they may make mistakes, which can thus lead to poorer sound quality than is necessary. So without any further ado, let us now look at some of the tips that a musician must know about before going ahead into the recording studio.
One problem you may also come across while in the recording studio, is related to the title. This problem is something called a "flutter echo". It starts with 2 parallel, reflective surfaces facing each other in a room. If most other surfaces are absorbent, a sound wavefront can get trapped, so to speak, into traveling back and forth between said 2 surfaces until it deteriorates. If this happens it will translate into a ringing or a buzzing during your transients. Which are the beginnings and ends of sounds that are impulsive--hand claps, for example. If you are working in a good recording studio (including not having any walls parallel to another), this shouldn't be an issue.
Besides that, showing up rested is always a wise suggestion, especially because recording time in the studio can sometimes last for a good, long while. When one shows up rested, not only will the recording experience be that much more pleasant, but it can also yield better results for the musician. Some musicians might be tempted to get drunk or high because their rock star idols have done so, but most musicians are going into the recording studio on their very own dime! Hence, it pays not to waste time and show up fully coherent to a recording session.
Being prompt is another of the common sense principles that any musician should really respect before going into the recording studio. Again, for many musicians, paying out of their own pocket for recording time is usually what they have to do, which is precisely why it is so material for the musician to be prompt to his or her own studio session! If said musician fails to show up on time for his own sessions, then that is like throwing money right out of the window! It does not make sense so does not do it.
This can even extend to bringing an extra guitar, bringing extra guitar picks and even bringing extra guitar strings. In the case of drummers, they should remember to bring with them an extra pair of drum sticks and even an extra set of drum heads. It is better to be safe than sorry, clearly.
Finally, the last thing that a musician going into the studio must know beforehand is to know the material. This means that the musician should really know the music that he or she wants to play within the walls of the studio in Toronto. Ideally, a musician ought to practice his or her material until he or she can play it quite perfectly. Until that point in time is reached, the musician should not even think of spending money to enter the studio.
There you have it! Going into the recording studio is something that you have to plan for before doing. You cannot just enter into said studio without knowing your material, or else you are going to waste your time to the point that you might as well not spend your money.
You would think that once you have your degree in Music Production you would be well on your way, would you not? But it does not normally work like that. It is false that acquiring a degree makes acquiring a job easier, because there are more people going for jobs with degrees than ever before and we are in an period when every business is searching for savings. It is true though that you will not ge a decent job with prospects without a degree any more.
So, you have your degree in music production and firms are not falling over themselves to hire you, so what do you do now? Well, one of the things that you should do is put your creative talent to work to find ways to get a job in the music industry. Before we get onto the issue of looking for a career, there are a few items that you have to know about music firms.
Most young people fantasize of procuring into the music industry and rubbing shoulders with stars even if they do not have any talent. Because of this the music industry as a whole rarely needs to advertise for vacant jobs although they might be required to by law in some countries.
They will just pay lip service to this law because it is daft, a pacifier and unenforcable. They will promote from within, use family and hire head-hunters, just like most firms do.
This means that it is at least as much who you know as what you know and this means networking. You will have to learn how to network to get yourself at least an interview. Endeavor to get in even if it means on the lowest rung of the ladder, as an intern.
The vast majority of companies that take interns fill vacant positions with the best and most eager interns. The drawback is that interns get paid very little if at all. But if government can get away with it so will industry.
The first step to take after procuring your degree is to study up on the job you would like and the firm you would like it with. You know how to do that. Learn as much about the job and the firm as you can. Then draw up a list of all the people you know who might be able to help you or vouch for you.
Teachers, lecturers, bands you roadied for, concerts you helped out on - anything - and get in touch with them. Ask if they know of anything going and get their permission to use their name in an interview or career application.
Send out resumes to the exact person by name who has the authority to hire or recommend you. This involves more research. This is a long shot because music production firms are swamped with resumes, but follow yours up with a second letter and enclose a stamped self-addressed envelope. Send a third too, why not? Then begin following it up by email and phone.
Stay calm, be pleasant, but say that you would like a reply and if you have been rejected with reasons why so that you can correct your short-comings. Try to learn from set-backs and one day it will work out for you.